Showing posts with label indelible bside. Show all posts
Showing posts with label indelible bside. Show all posts

Friday, January 22, 2021

Indelible B-Side: 3



Hello 2021!

Happy 2021!  There seems to be a lot of pressure on 2021 and if we are in the business of personifying years, I would feel a little sorry this one.  I cannot even fathom a realistic way for the year to come close to achieving the mountain of expectations we have.  It would almost be easier if 2021 came out as the ne’er-do-well child of the devil and 2020, ala the Match commercials of 2020, or 2021 was the Drug Free America commercial from the 80s; the tagline was, “I learned it from watching you.”  

While this is all tongue and cheek, I do sincerely wish you a happy new year and may your new year bring positive aspirations and at least a crate of new records.  There rest will take care of itself.  

Hello (Prince of) Darkness!

Leading up to the turn of the year, I found myself digging through a few rabbit-holes.  The more interesting path continued from last month’s modern jazz/soul/fusion playlist.  In my attempt to continue digging and discovering more music, new and old, the November 2020, Record Store Day, self-titled release by Jazz Sabbath, popped into one of my feeds.  One listen and so begun the downward spiral.      

At first, I assumed, it’s a cover.  It was just interesting version of a song I had not heard in a very long time, Fairies Wear Boots.  But then I was listening the original, by Black Sabbath.  In this case, Black Sabbath is like a potato chip, you cannot have just one.  For an album that is more than 50-year-old, it is still amazing.    

After Fairies, then Iron Man, Paranoid, War Pigs, Rat Salad and then the realization/satisfaction that this is an interesting study into a band that has a really good half century old catalog of music, hell an interesting study into the second Black Sabbath album alone.  Of course, as you pull one string, you wind up with I then found jam-band covers, jazz, a variety of metal, electronic dance, and even kid-tune covers of those originals.  It is so interesting to see the perspectives; who are the artists taking liberties with the songs versus who presents straight-forward versions; who just places what the hear versus who is genuinely trying to honor and respect the songs in their original version or even in their newer interpreted version.     

Back on topic.  After coming up for air from the rabbit-hole that easily took over a week, I landed on a play list of covers.  Some are straight forward.  Some are interesting twists of what the Prince of Darkness, Tomy Iommi, Bill Ward, and of course, Geezer Butler presented back in the 70s and 80s and beyond.  It is different spin on what is expected but I think that’s what it is about, new perspectives.  From Charles Bradley’s interpretation of Changes (see below), offered as a remembrance of his mother and how life perspective changes, to the thousands of Black Sabbath covers you can find on Youtube, Black Sabbath has permeated beyond that 4 piece from the UK that started back in 1960-something.  

Some of my favorite Black Sabbath covers are from the Swedish rock/pop outfit, the Cardigans.  Nina Persson’s almost playfully jazz-pop version in Iron Man and Sabbath Bloody Sabbath, are always welcome.  But instead of the obvious, I added one of my favorite interpretations, Black Sabbath, repurposed for the song Heartbreaker.  

Enjoy!


This month’s playlist is below & on my playlist, here.

001 - Snowblind - Brownout - Brownout Presents Brown Sabbath, Vol II - 2016
002 - Fairies Wear Boots - The Casualties of Jazz - Kind of Black - 2004
003 - Changes -Charles Bradley (feat. The Budos Band) - Changes - 2016
004 - N.I.B. - Brownout (feat. Alex Marrero) - Brownout Presents Brown Sabbath - 2014
005 - Heaven and Hell - Rockabye Baby - Lullaby Renditions of Black Sabbath - 2010
006 - Sabbath Bloody Sabbath - The Lounge Brigade - The Lounge Tribute to Ozzy Osbourne & Black Sabbath - 2002
007 - Never Say Die - Driving Mrs. Satan - Popscotch - 2013
008 - Sweet Leaf - Galactic - We Love'em Tonight (Live at Tipitina's) - 2001
009 - Iron Man - Four Tet - Everything Comes and Goes: A Tribute to Black Sabbath - 2005
010 - Paranoid - Weezer - Weezer (Teal Album - 2019
011 - Children of the Grave - Jazz Sabbath - Jazz Sabbath - 2020
012 - War Pigs - Brass Against (feat. Maya Azucena) - Brass Against II - 2019

Thursday, December 17, 2020

Indelible B-Side: The Playlist #1


Over the past months, I’ve commiserated with people who share the sentiment that it feels like we are stuck in the endless 2020 version of the Groundhog Day loop; ala Bill Murray?  The chats start with ‘how are you’ but then careen down the path of bonding through survivorship.  Months ago, we were in that first phase, where we were all asking ourselves ‘what’s going on’ and ‘how long can this last?’  After the novelty wore off, fatigue and frustration started to set in.  We all coped in our own way; my coping mechanism was/is binge-watching and passive-aggressively keeping up with friends via social media.  You can only scroll so long before you see those dreaded words, “You’re all caught up!”  And then after a while, that final phase, acceptance, and normalization sets in.  And in this phase is where I suspect the good things are and will continue to happen. 

One part of my journey towards acceptance has been for me to start expanding musically.  I have been enjoying my rut of musical old reliables; the stuff you know will take you to that familiar place.  There’s nothing wrong with the old stuff, I stand behind “they don’t make’em like they used to.”  But I also know that there is great enjoyment in the discovery of that new good stuff.  

I’m seeing and finding more playlists, and tuning into the live broadcasts of shows and DJ sets, and using the music services to follow the rabbit hole towards discovering stuff I wouldn’t regularly have noticed; mostly because it could be a while before I am able to get to record stores and live shows again.   

Clearly, it’s working as this first playlist is the result of the expansion.  Apparently, during the last month or two, California-based Moonchild caught my ear.  I think I stumbled upon them from their older live sets for NPR and then the Brownswood Basement.  Apparently, those sets struck me more than I realized as Moonchild’s Little Ghost album has been on regular rotation over the past months.

So starting with that track and just following the rabbit hole, here’s a playlist of UK and US Jazz and Soul.  I particularly enjoy hearing how much this music has been influence by hip-hop, house, and drum and bass.  

Enjoy!

This month’s playlist is below and if you are on Spotify, here’s the link


Track

Artist

Title

Album

Release

1

Moonchild

Wise Women

Little Ghost

2019

2

Joomanji

Spread Too Thin

Manj

2013

3

Yasmin Lacey

I'll Never Stop Loving You

I'll Never Stop Loving You (single)

2020

4

Blue Lab Beats

Pineapple

Xover

2017

5

Vels Trio

Tenderness

Yellow Ochre

2017

6

Kamaal Williams

Hold On

Mr. Wu

2020

7

Ashley Henry

The Mighty (feat. Ben Marc)

Beautiful Vinyl Hunter

2019

8

Ruby Rushton

Yardley Suite

Yardley Suite

2019

9

Ezra Collective

Dark Side Riddim

Dark Side Riddim/Samuel L. Riddim (single)

2020

10

Tenderlonious

G-Flex

G Flex

2020

11

Joe Armon-Jones

Almost Went Too Far

Starting Today

2018

12

Nubya Garcia

The Message Continues

Source

2020

13

Moses Boyd

2 Far Gone

Dark Matter

2020

 

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