Tuesday, November 17, 2015

FTA UPDATE: ELM Imprint

So its been a while but never fear we still have the Jungle / Drum & Bass up in here. While I've been away I'm been busy helping out a new local Jungle / Drum & Bass label called ELM Imprint. Since I'm not much of a producer, I've been doing a lot of their design and illustration work. However I'm proud to announce that I also hosted their first ELM Imprint podcast!



Description:
Another soundboy selection from Edward the Librarian this month on the ELM Imprint podcast. Pulling forthcoming tracks from the likes of A-Sides, Wills Miles, R.A.W & the godfather Ray Keith. As well as a slew of classics from the golden era.
ELM Imprint is an independent record label based in the United States of America. Primarily releasing Drum & Bass, the label was started in 2015 by Phil Witkins , Aaron Duncan and Arch Dixon. The label is home to artists such as Wills Miles, R.A.W, Mutt, Tedder, Robert Manos and Spinnscott, while also releasing tracks from a whole host of other artists across the Drum & Bass genre.

Playlist:
1. Intro
2. Safari Sounds - Ghetto Born Kid
3. The Prisoners Of Technology - Breakdance
4. RAW - LATE NIGHTS [featuring WILLIE WALDMAN]
5. Nu/Tone - e.Spresso
6. DJ Die - Special Treat
7. A Sides - Atlantic
8. Juju - The Streets
9. Will Miles - Bass God
10. 45Roller - Saturday Night Roller
11. The Riddler - F.S.B
12. Greg Packer - We Hear Drumz
13. 6BLOCC - GETTING RECKLESS [Featuring DYER MC]
14. DJ Krush - Angles
15. Dragon Fist - The Drummer
16. Spinscott - Make It Funky
17. Randall & Andy C - Feel It (Remixes)
18. Ray Keith - FIGHT(5 ELEMENTS)
19. E - Z Rollers - Science Funktion
20. MIA - BUBBLE [RAW REMIX]
21. Heretic - Heads High
22. Mutt & Tedder - I Want 

* all the bold tracks are releases or future releases on ELM Imprint

FACEBOOK:
https://www.facebook.com/elm.imprint/
TWITTER:
https://twitter.com/Elm_Imprint
SOUNDCLOUD:
https://soundcloud.com/elm-imprint
BAND CAMP:
https://elmimprint.bandcamp.com
ELM IMPRINT WEBSITE:
http://elmimprint.com/

Also go check out the SHOP, most of the merch was designed by me and I'm wicked proud if it.


Monday, July 13, 2015

Randomness: John Peel's record box



I can only hope that when my time comes my box brings a smile to my friends and family.
-The Librarian

Monday, February 23, 2015

FTA UPDATE: The silence is coming to a close

So those close to the Annex camp know this last year was bonkers. Originally I thought this would only be a few months while my wife and I got settled with our new addition to the Junglist community. 

Twelve hours later (and the longest amount of time spent on my feet since Starscape of '02) our little bundle of joy was born. Huge respect to my wife for birthing our child, and a special thanks Mamma Sue who was a constant balancing force.

IT'S A GIRL!



Whats up with the bars on her face? Well that's easy, I'm a huge fan of internet privacy, and I don't want her to have a legacy of digital information surrounding her before she is old enough to choose how to represent herself.

Yea... normally I would say I work best with very little sleep... but when you can't choose when your sleeping...yea it sucks.

You may be asking why the lack of DJing. The day... THE DAY we brought her back, I rolled down to the studio to make a celebratory podcast and I smell something. Its damp, or something. I did some sniffing around and moved my wall of records to find this.

Ladies and gentleman that's mold. 

ALL HELL NO! We are not having this. So after some home grown cleaning technics failed. We called in the big guns, to get to the bottom of this mess.







Well as you can see we went right down to the brick walls. That framing eventually would go as well. While they were doing all this we found a bunch of dodgy wiring, so all that got pulled and updated.




Thus the Annex was packed away while things got straightened up.

In the mean time, the Little Rebel and I went shopping at Blue Groove records for her first record buying spree. The Bad Brains album is hers.

New framing!

Who's daddy's little Junglist? (yea so the bad Dad jokes have not started... yet )

INSULATION!

During all this work without my records I joined some social media platforms to see what the fuss was about... this was the only thing of note before I deleted the account. Preach on, Boy George.

It should also be noted that I've frozen my Facebook account till further notice, after killing a lot of time reading terms and conditions in the wee hours of the morning. I've started to see the power of taking control of the media I create and promote. Thus, no Facebook, Tumblr, Instagram, Myspace, and Soundcloud. I'm sure I will get some serious heat over this but whatever. Maybe as I figure out solutions or downfalls I will make another post on this topic.

We made a pilgrimage to TURNSTYLE RECORDS in Richmond VA, and ran into General Motors who is now working there! If you have not already done so check out her mix with Moody Moore.





Progress is being made!!!

Then it happened. I got suckered in to hacking off my hair for Locks of Love.

Learning to program beats.

Our cat is not impressed by the naked rat we brought home.

She found a satellite stash of records and was very pleased with herself.

The sub flooring arrived. Dum Dum DUM!

I wish I had better time-laps photos for installing the flooring as it was pretty fast and fun.



Then painting.


FINISHED.

Then the unpacking started.

Now its just trying to make sense of all the piles of squirreled away records I've hidden all over the house. I hope to be up before the end of March... but famous last words right?

Anyways that's what I've been up to. Hope you all are doing well and stay tuned The Librarian will be back.




Monday, September 8, 2014

Track Review: Mutt - Changes / Just My Luck


 
Mutt: Changes

Review Summary:
Jazzy Blues male vocals mixed with sensual melodic female vocals. Finely orchestrated string section with snippets of a dubby horn. Drums are heavy on the 2, similar to a jump up drum pattern with dashes of bongos in the background. Overall a great track for someone looking to fill out their Liquid / Intelligent: Jungle / Drum & Bass crate.

The Full Review:
Often the first 8/16/24 bars of a track are rarely heard alone. They are generally mixed in with whatever track was playing before it. I enjoy listening to how a producer uses this space, they either treat it as a great space to introduce you to a mood or just lump all the sounds in and not put to much though into this area.

Mutt takes the first 24 bars of  his track to craft a sound scape of enveloping instruments, voices and sound FX, creating a scene of haunting melodics mixed with a chorus of uplifting vocals. The first 8 bars introduce you to the main core of the musical instruments used, while an almost inaudible conversation is taking place behind a veil of ever expanding audio frequencies. The next 8 bars introduce you to the players in this musical sparing match with female and male vocals. These 8 bars would be especially haunting when mixed into another track just as the strings start seeping up and through the EQ's. The next bars raise you up just before dropping you off in a moment of isolation with just the strings and accompanying vocals.

The next 24 bars do as one would expect, they hold the line. The subtle changes in orchestration is a much needed focused repetition for dancers to find their groove.

The following 8 bars is where the break drops, opening with a processed dubby horn and envelops you with swirling strings and that soulful female vocal.

Then no build up, no gentle wooing you back into the track - WHAM, SMACK, BOOM - your tossed right back into the heart of the track. Just like the title and hook would imply - "changes". Here we spend the next 16 bars with a bongo backbeat rhythm, and more dubby horn snippets. Then suddenly it "changes", reintroducing the strings and female vocal.

The last 16 bars are comprised of your standard down shifting of sounds and FXs. The cherry on top is actually its last 8 bars, a beautiful minimalist bongo drums, wooden rhythm stick and bass.

Conclusion:
If your looking for a vocal driven Liquid / Intelligent track. Then, Ding Ding Ding we have a winner. Its not going to be an immediate classic but its strings have a staying power that will loop in your noodle for a few days afterwords. It also has the ability to conger a sense of love and empathy in its strings and vocal sparing. I would say its worth a listen and if not a purchase for any Drum & Bass DJ.

Time: 5:14
Key: 6A / G Minor
Tempo: 86BPM
Energy: 6
Mastered: Ill Omen
Released: 08.18.2014
Catalog Number: FDR00033



BUY IT:
Beatport | Juno.co.uk | Satellite Records

==

Mutt: Just My Luck


Review Summary:
This Liquid / Intelligent jungle track contains a somber male vocal, that is riddled with swirling piano riffs, mellow baselines and standard Jungle / Drum & Bass drum patterns. His ability to seep emotions within the frequencies of his productions continues to impress me. I would say its worth a listen and I've personally added it to my record crate.

The Full Summary:
The first 16 bars are drums and a EQ seeping piano riffs that swaggers into the room like a long last lover. This hypnotic state is shattered by a ringing set of chimes, leaving the piano riff alone and naked.

The following 48 bars is where the magic happens. Drums, Bass, Piano and this voice. This male voice is middle aged, weathered and half speaking, half singing to his lover. The words are those of survival, and gentle plea for love and support as he deals with his own inner demons.  Those demons are echoed in the stealthful use of whirling piano loops and echoing staccato FXs. This section ends in a break down, leaving you with a mans pleading and that haunting piano riff.

The next 48 bars hold the line, giving us the full range of the drums, bass, piano and vocals. Then slowly pulling back into the darkness.

Conclusion:
This track has a haunting charismatic staying power, especially that piano riff. It is a somber male vocal, that is riddled with swirling piano riffs, mellow baselines and standard Jungle / Drum & Bass drums. This is another solid Liquid / Intelligent track from Mutt, that I've already added to my record crate.


Time: 4:55
Key: 3A - 7A / B-Flat Minor - D Minor
Tempo: 86BPM
Energy: 6
Mastered: Ill Omen
Released: 08.18.2014
Catalog Number: FDR00033

BUY IT:
Beatport | Juno.co.uk | Satellite Records

==


Notes from the Librarian:
When I got these tracks in my inbox, I was not expecting the sound I received. Faction Digital Recordings are known for a certain sound. This can be summed up with two keywords: HARD and HEAVY.  Currently not my cup of tea but as one who used to be a fan of the dark and heavy sounds of the 2000's I can appreciate them. But this is not your standard FDR fair, this is something bright, smart, insightful and haunting. Hat tip to both Mutt and Faction Digital Recordings.

All BMP and harmonic key information came from Mixed In Key

Friday, August 22, 2014

Amyotrophic Lateral Sclerosis: Ice Bucket Challenge



Amyotrophic lateral sclerosis (ALS), also known as Lou Gehrig’s disease.

This is a disease of the nerve cells in the brain and spinal cord, that control voluntary muscle movement. It's often refereed to as a glass coffin and the individual has full control of his mind but is unable to move.

I've now been challenged Claire Helmke, Gil Lingenfelter and Terry Eiler. I accept this challenge if only to get my radio listeners to know what ALS stands for and how horrific the disease is.

I charge anyone watching (or listening) to learn more about Amyotrophic Lateral Sclerosis, and if you have funds feel free to donate.

VIDEO: A Life Story Foundation - Pete Frates' Story
https://www.youtube.com/watch?v=85VkgNt5OgI

Summary"
A former Captain of the Boston College baseball team and professional baseball player in Europe, Pete Frates was diagnosed with ALS in March of 2012, at the age of 27. Since his diagnosis, Pete has enjoyed the strength and support of his family and new bride, Julie.

Wednesday, July 2, 2014

FTA News: the studio is going to need some love

In May, I kept smelling something. It was driving me nuts, it sort of smelled like mold but would only hit me now and again as I was working in the Annex. Finally one morning, I snapped and went on a hunt for the source of this maddening smell.

I eventually narrowed it down to a corner of the Annex, under my record shelf. So I emptied my large wall of Ikea record shelving.


After removing the shelving

Captain, I think I found the mold

There it was, mold on the carpet and under side of the Ikea shelving. As one could imagine I freaked out. Was it the last set of hip-hop records that I picked up? Did I have a crack in my foundation? What the hell brought in this infestation of mold in my goddamn studio?

So I did with any other cold-blooded American would do I nuked it. Vinegar, Teatree oil and then with a healthy vacuum into boot. I was hoping that'll be the end of it, however that was just the start. 

A few days later, I pulled up the carpet in that corner, discovering a very wet carpet pad.  I pulled back the carpet some more and put a fan on it. While that was drying out I measured out the space and trundled over to Home Depot to buy new carpet padding. Dry and treated carpet, new carpet padding, done and done right? Wrong. The mold was still tweaking my senses. 

That's when I hit the Internet looking up mold remediation and getting scared by really bad photos of crazy mold infestation. Addison in the end found David at Valor Cleaning Inc. David in short order explained to us what he thought the issues were and ran through series of options we could to remedy the situation. He would do the remediation work but someone else would have to test for the mold. David written a paper on the topic called "Pros and Cons of Mold Testing", which outlined the reasons to test and how one might go about it. In the end we went with David's suggestion and used Avery at Fusion Services, LLC. 

Avery was a pro. Polite, well spoken, could geek out about mold Addison but was able to explain it in a way that I could follow along. But the topper was a side comment. "Have you ever heard of the warehouse? I used to go dancing there when Franky Knuckles first started playing there." Insert mind blown, 

A) because Avery had been to the Warehouse
and
B) heard the godfather of House music back when it was all just starting. 

He filled my head with a few stories from the Warehouse. Which only made me want to do back to my books on the earily days of house and techno. It was truly awesome. 

I was bummed when Avery and all his high tech gear left, but I was also a bit anxious because the new idea of mold in the walls. 

Sure enough when all the lab results came in, it looked like the mold was in the walls. So back to David at Valor. Looking over the report he wrote up a budget and scope of work. Looking at the cost it made me suck a bit of air, however it was the first major expense we have had in our new location. To be fair to David, for all the work they did it was a steal, and I would totally recommend him. 


Totally felt like the E.T. tent. Ba ha



That's the image that made me cringe...

The walls have now been gutted. The finished studio is now in storage and I'm left wondering what and how I'm going to rebuild. 


First things first I'm having a electrician rewire the basement. 


 In the end... I'm looking for a crafts man to build me a record wall. A skilled electrician that someone can recommend. Advise on what materials we should redo our floors and walls with. 

In the mean time I may set up my decks in the kitchen. Grand Master Flash style. 

-the librarian